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Pineapple Thief, The: Someone Here Is Missing

It is a testament to the song writing and performances on Someone Here Is Missing that it took me to go back and listen to The Pineapple Thief's last album, 2008's Tightly Unwound, to really appreciate the change in focus this new album houses. The reason that the step change in sound isn't as obvious as it could and in lesser skilled hands would be, is that the harder edged progressive approach on this release come over as a completely natural next move for Bruce Soord and his bandmates.

Many saw Tightly Unwound as an unashamed homage to all things Radiohead, however if you lived with the disc for quite some time, then the blend of H era Marillion, the less aggressive moments of Porcupine Tree, a very slight sprinkle of Floyd and yes a huge dollop of Thom Yorke and the boys, became a hugely rewarding album that had enough character of its own to withstand comparisons to any of those bands mentioned above. None of those reference points have been erased from TPT's vision for this album, however a more apt description this time round would be a head on collision between Porcupine Tree and Muse that resulted in the majority of the pomposity and over ambition often perpetrated by both those acts, being crushed out of site. What that leaves The Pineapple Thief with is a heavier riff based attack that is still able to show a more fragile and vulnerable side that creates a mixture of anthemic blasts and poignant, emotion stirring introspections. The natural timbre of Soord's voice straddles those two styles perfectly, with his simple delivery reigning in the more excessive moments, while elevating the simple arrangements of the restrained passages.

The spacey keyboards and hopping drum beat of opener "Nothing At Best" is a wonderfully off kilter beginning to the disc, with the interplay between all the instruments making for a marvellously accessible, yet rewardingly complex beginning to an album that is continually able to ease from mood to mood, without missing a beat. "Wake Up the Dead" sees the first real foray into Muse territory with a sparse processed drum beat allowing Soord's voice to gently sooth and seduce before a stomping, yet considered pulse of guitars weaves a hypnotic spell and almost without even noticing, the intensity levels are turned right up to max to close the song out. Already the consistently altering moods and visions are delivering, not only some excellent songs, but ones that have genuine chart bothering potential, with the short acoustic strum and synth strings of "The State We're In" being another perfect example.

"Preparation For Meltdown" is a wonderful exercise in the use of how to use dynamics in a song, with the down beat quiet sections being a perfect balance against the frantic guitar explosions and cymbal smashes that punctuate the sombreness. It is this ability to introduce light and shade through changing themes and ideas, while keeping all the music perfectly in synch with the altering passages that ease their way in and out of the songs, that makes Someone Here Is Missing such a joy. A stronger nod to TPT's past is evident in the Radiohead melancholy of "Barely Breathing", however what is pleasing to note that at this stage in the band's career is that this song may nod to Radiohead, however it really only could be The Pineapple Thief. That is something that is true of all the reference points you hear across this album. Whether it is Muse, Porcupine Tree or at times In Absenthia that could be used to describe these songs, what The Pineapple Thief have done is to reshape those influences into something that is unmistakably all their own. "Show A Little Love" once more highlights the great interplay between Soord's guitar and Steve Kitch's keyboards, where those keys compliment the ever changing guitar line perfectly. The riff housed in this track is one of the best on the disc and as it really fires into being, the stubborn refusal for the catchy as hell riff to repeat is frustratingly brilliant. Special mention also needs to go to the marvellous rhythm section of bassist John Sykes and drummer Keith Harrison who shine throughout the whole album, but are especially bright on this song.

The title track is cinematic in its scope, with swooping swirling strings making for a richly dense feel that creates real tension and release and once more the tremendous pace and poise of the album really comes to the fore. Just when you thought that things really couldn't get any better, the two tracks that close the disc raise the standard even further. "3000 Days" combines all the heavier traits that have surfaced throughout the rest of the songs into one frenzied, building cacophony, before the marvellous epic "So We Row" encapsulates the whole disc into one song. Robust riffs, stabbing keyboards, frayed raw emotions, wonderful vocal arrangements and altering time signatures combine into a tremendous song that the whole album seems to have been building towards.

The excellently packaged limited edition digi-book (with artwork from Storm Thorgesen) also contains two excellent bonus tracks in the shape of "Long Time Walking" which is worth the price of the disc on its own and the acoustic reworking of album opener "Nothing At Best", which with the drums and bombast stripped out almost sounds like an completely different song.

Teaming up with K-Scope for the release of the excellent Tightly Unwound brought The Pineapple Thief to the notice of what had been, up until that point a largely disinterested prog audience, Someone Here Is Missing should see the band go one step further and rival Muse and Porcupine Tree for attention with the prog and mainstream masses. This is a serious contender for album of the year - don't miss out, it really is that good.


Track Listing
1. Nothing at Best
2. Wake Up The Dead
3. The State We're In
4. Preparation For Meltdown
5. Barely Breathing
6. Show A Little Love
7. Someone Here Is Missing
8. 3000 Days
9. So We Row
10. Long Time Walking
11. Nothing at Best (Acoustic Version)

Added: November 16th 2010
Reviewer: Steven Reid
Score:
Related Link: The Pineaaple Thief Official Web Site
Hits: 5720
Language: english

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Pineapple Thief, The: Someone Here Is Missing
Posted by Ryan Sparks, SoT Staff Writer on 2010-11-16 11:41:16
My Score:

You've got to hand it to Bruce Soord and his Pineapple Thief cronies because with each new album they always seem to up the ante and raise the bar by continuing to successfully incorporate different styles of music, such as progressive, electronica and straight ahead rock and pop, into their ever expanding aural canvas. Now ten years deep into their career The Pineapple Thief which while it has been looked upon as being Soord's baby, I have to say that on their eighth full length album Someone Here Is Missing, The Pineapple Thief has also evolved into sounding more like an actual, functioning band. The process has been a gradual one but these subtle changes started to take effect right around the time of their last studio effort Tightly Unwound (2008).

Together with Jon Sykes (bass), Steve Kitch (keys) and drummer Keith Harrison, Soord has crafted nine, richly layered and heavily textured compositions that will certainly once again inevitably draw comparisons to Radiohead, Muse and Porcupine Tree. I've often felt that of all the comparisons that I've heard or read over the years, to me Radiohead seemed to hold the most weight, primarily because I consider the bands previous efforts to be a unique cross between The Bends and Ok Computer era 'head, but also because at times because Soord's vocal style is quite reminiscent of Tom Yorke's. That being said, I have to say I wasn't as preoccupied with making comparisons or trying to compartmentalize the band this time around, as I wisely chose to just focus my attention on these superbly crafted songs, and how they all come together in such a cohesive fashion that it makes for an incredibly rewarding listening experience. For example I love how they are able to slide effortlessly from the spiraling and seemingly out of control guitar and techno bombast of "Preparation For Meltdown" and then follow that up with the absolutely gorgeous and shimming piano and acoustic guitar melodies on "Barely Breathing". Then again the whole album is like this from beginning to end as they successfully allow elements of light and shade to permeate throughout. The harder edged "Nothing At Best", "Show A Little Love" and the title track sound perfectly at home alongside the distinctly more progressive and expansive, layered approach found on "3000 Days" and "So We Row". It's not only the music that's stellar here either, because the visual element is equally as impressive as the band was able to snag legendary album artist Storm Thorgerson to design the cover and layout.

With Someone Here Is Missing The Pineapple Thief have once again demonstrated that they are a musical force to be reckoned with, because quite honestly this has to be considered as their most comprehensive sounding release to date.



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