Sea Of Tranquility



The Web Source for Progressive Rock, Progressive Metal & Jazz-Fusion
  Search   in       
Main Menu




Baliset: A Time for Rust

Greg Massi (formerly of maudlin of the Well and Kayo Dot) dials down his avant-garde tendencies on his latest project, Baliset. Taking an accessible, atmospheric approach, the band's first offering, A Time for Rust, genre hops from metal to prog to goth to indie to experimental music. In fact, all of those disparate influences collide on the disc's monumental title track — a searing wall of distorted vocals, angelic female singing courtesy of Lauren Flaherty and insane guitar fuzz. Massi's peaceful acoustic guitar on "Black Light Moon" eventually morphs into a soaring solo, and visions of Evergrey seep into A Time for Rust's two heaviest cuts, "Dreamflesh" and the instrumental "Winterlude." Massi proves to be a worthy vocalist, and he's backed by confident players who know just how far to take these songs. Musical interludes (featuring banjo, trumpet and guitar) enhance the album's flow and listenability, although it's easy to wish that Baliset had developed those pieces as fully as the other songs. Despite the rust references, this debut shines with promise.


Track Listing:
1) These Moments Are…
2) A Time For Rust
3) Machinery Listens to Love
4) Black Light Moon
5) The Art of Contrition
6) Dreamflesh
7) Winterlude
8) The Echo Box

Added: March 27th 2010
Reviewer: Michael Popke
Score:
Related Link: Baliset on MySpace
Hits: 2917
Language: english

[ Printer Friendly Page Printer Friendly Page ]
[ Send to a Friend Send to a Friend ]

  

[ Back to the Reviews Index | Post Comment ]

» SoT Staff Roundtable Reviews:

Baliset: A Time for Rust
Posted by Jon Neudorf, SoT Staff Writer on 2010-03-27 20:13:10
My Score:

Greg Massi, founder of the eclectic bands Maudlin of the Well and Kayo Dot, is back with his new project Baliset. Their first album, A Time For Rust, was released in March, 2009. Massi, who provides guitars, keyboards and vocals, is a superb musician and wrote all eight songs. Joining Massi are Adam Letourneau (drums, percussion, vocals), Lauren Flaherty (vocals), T.L. Conrad (bass), John Battema (keyboards), Forbes Graham (trumpet) and Jim Fogarty (piano, keyboards).

I found this to be a really interesting album, and for those of you searching for something a bit different, it would be well worth checking out. This is another one of those discs that is difficult to categorize as the music draws from a variety of genres including rock, metal, pop, jazz and art rock. While Massi's music has an eccentric quality it is also very melodic. The compositions are richly varied, often exhibiting quieter passages and metallic guitar riffs, which should keep listeners engaged throughout the course of the CD. One of the highlights for me is the guitar work of Massi. He is an excellent player, showcasing heavy metal riffage, shred-like leads and melodic acoustic rhythms.

"These Moments Are…" opens the disc with melodic guitar passages before crashing drums and heavy guitar riffs take the listener by surprise. "A Time For Rust" has a mellow beginning but quickly breaks into metallic riffs creating a dense wall of sound which unfortunately buries the lead vocals, a problem that occurs occasionally during the course of the CD. "Machinery Listens To Love" is a short instrumental of moody keyboards creating a dream-like atmosphere. Perhaps the album's best song is "Black Light Moon", where languid lead guitar and dreamy atmospherics intermingle with quiet passages of acoustic guitar and nice background harmonies. Another highlight is the progressive "Dreamflesh", a masterful slice of art rock featuring layers of edgy guitar creating an aural assault on the senses. A ripping guitar solo completes the picture. "The Echo Box" is the album's last song and also the longest at over fifteen minutes. The first five minutes are absolutely stunning as Massi's guitar work is a highlight reel of chugging riffs, textured rhythms and dynamic leads. Acoustic guitar and softer keys add quieter moments, and the lead vocals of Flaherty are excellent. My only complaint is the five minutes of droning noise that make up the middle portion of the song. I suppose it demonstrates Massi has not lost touch with his avant-garde roots.

Aside from the fact the lead vocals were hard to hear at times and the slight mishap with the last track, this is an excellent album and one I enjoyed very much. A Time For Rust has a certain eclectic charm and is an album I think many fans of progressive music will appreciate.




© 2004 Sea Of Tranquility
For information regarding where to send CD promos and advertising, please see our FAQ page.
If you have questions or comments, please Contact Us.
Please see our Policies Page for Site Usage, Privacy, and Copyright Policies.

All logos and trademarks in this site are property of their respective owner. The comments are property of their posters, all other content © Sea of Tranquility

SoT is Hosted by SpeedSoft.com