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Heaven & Hell: The Devil You Know

Regardless of what anyone says, The Devil You Know is the fourth Black Sabbath album featuring Ronnie James Dio on vocals despite the change in the band's name. The only reason they are going by the moniker Heaven and Hell is because they do not want to be bothered by Ozzy-obsessed fans when playing live.

Just like its predecessor, Dehumanizer, the album was recorded at Rockfield Studios in Wales in only three months, which has given the band the chance to capture a rather live feel which is both intense and powerful. The band did take a longer time to write the album though, partly in England and partly in the USA.

The Devil You Know expands on the classic Sabbath sound, chock full of thunderous riff work, stomping drum intensity, growling bass lines, and godly vocals. This album once again solidifies the fact that Dio is and always will be the voice of Heavy Metal. He is in fine form here, slightly straying from his style on his recent solo material, and revisiting his glorious past where he exerts a doomy vibe on some of the tunes that fits the compositions like a glove.

It all begins with the sonic punch that is "Atom & Evil" (Adam & Eve) whose rolling drum intro suggests the production on this disc is huge and powerful. Everything sounds crisp; the range of dynamics is great and the instrumentation very vivid. As Iommi lays down his unique riffs, a dark, menacing atmosphere is achieved and perfected with the arrival of Dio singing lyrics of abstract symbolism. Note the use of discreet synths in the background, proceeding through a terrain of rhythmic power. Also pay attention to the mini-riff that is planted beneath Dio's vocals on the chorus. That riff doesn't let go till the end -- it is absolutely fantastic.

Being a fan of Sabbath's darkest and heaviest material, tracks like "Follow the Tears," (what a great, great song!) "Bible Black," and "Breaking into Heaven" are the album's most shining moments. The heavy, almost sludge-infested opening riff of "Breaking into Heaven," once again complete with metaphorical lyrics about fallen angels trying to break into paradise, is a modern take on doom metal while the intro of "Follow the Tears" is so heavy that it would crush just about anything that gets into its path. Iommi will always be the god of riffs, as his writing has been unparalleled for over thirty years. He unleashes riffs, rhythms, and solos unlike any other guitarist in the world. His acoustic guitar playing on "Bible Black" is stunningly dark, as is his volatile, chugging lead solo that follows it. The way the song builds from a pain-ridden dirge to a monstrous finale induces goose bumps every time. Add to this Dio's vocals that recall his stuff from his most underrated album Strange Highways and Iommi's schizophrenic solo and you have a masterpiece of composition.

Geezer Butler mostly stands out on the bass-centric "Double the Pain," again with vocals reminiscent of Strange Highways, where he lays down a sick, stomping bass solo. Likewise, it is the bass that permeats "The Turn of the Screw" which boasts a shred-intensive guitar solo that erupts like a volcano following the patient build-up. This would make for a perfect live performance given the energy between the drums, bass, and guitars.

About the other songs, "Eating the Cannibals," the shortest song on the album, is the loud, in-your-face number, retaining its heavy drive from start to finish while "Fear" sees Dio's most theatrical singing highlighted with awesome drum fills by Vinny Appice (whose work on the earlier albums is much, much better -- perhaps the best drumming in Heavy Metal).

Admittedly, "Rock & Roll Angel" and "Neverwhere" lack the same intensity and songwriting bliss of the other tunes, but the lead solo on the former is arguably Iommi's finest on this album as it recalls his blues-inflected playing on Mob Rules quite a bit, and the latter is a hook-laden, catchy rock anthem into which scalding riffs and slamming drums are tucked.

A great entry into the mostly brilliant Sabbath catalogue. Though at this point, I rank it below the other three albums with Dio, this is still one of the best Heavy Metal albums of the year.

Track Listing

  1. Atom & Evil
  2. Fear
  3. Bible Black
  4. Double the Pain
  5. Rock & Roll Angel
  6. The Turn of the Screw
  7. Eating the Cannibals
  8. Follow the Tears
  9. Neverwhere
  10. Breaking into Heaven

Added: October 24th 2009
Reviewer: Murat Batmaz
Score:
Related Link: Heaven & Hell website
Hits: 3675
Language: english

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» SoT Staff Roundtable Reviews:

Heaven & Hell: The Devil You Know
Posted by Scott Ward, SoT Staff Writer on 2009-10-24 02:40:47
My Score:

The latest release from the post Ozzy, Black Sabbath under the new moniker of Heaven & Hell is the kind of metal album that will undoubtedly remind you of the history of this group but also shows that they are not just resting on their laurels and whipping out the same old album just to appease their fans.

Sure there is plenty of doomish guitar from the master Tony Iommi and also plenty of dark and gloomy lyrics but you also can feel the presence of Mr. Ronnie James Dio much more on this album. Even from the opening song "Atom and Evil" which is one of the tunes that old Sabbath fans will eat up, Mr. Dio shows a melodic menacing style that is more frightening than anything that their old lead singer could manage. This is the stuff that a Stephen King novel is made up of, the kindly soothing voice that might just rip your heart out!

Other songs like "Fear" with its sludgy detuned guitar work and the terrific "Bible Black" are both songs that prove these guys are still hitting on all cylinders after all these years. In fact "Bible Black" has become a personal favorite with the crunching Iommi trademark riffs and Dio at his absolute best. This is the kind of stuff that will make you all but forget old what's his name from way back. I have thought that this pairing was one made in metal heaven with just a little hell mixed in.

The rest of the album contains a multitude of the heavy metal that this group is so famous for. Each track is notable in its own right but together this collection is easily one of the best metal albums of 2009 without a doubt. Even the weakest song on the disc, "Rock and Roll Angel" is a key piece in the puzzle as it is the most Dio like song with a terrific solo by Iommi in the middle. If this song was done by almost any other band it would be lauded as a classic. The problem is that these guys have set the bar so high they are bound to have trouble topping themselves. No matter how you look at it, this is a must have metal disc.

Heaven & Hell: The Devil You Know
Posted by Pete Pardo, SoT Staff Writer on 2009-05-11 20:02:06
My Score:

The Devil You Know, the long anticipated new release from the newly re-united Dio led line-up of Black Sabbath, now known as Heaven & Hell, certainly was worth the wait in every aspect. I've easily listened to this thing 15 times since its release (and I don't much have a chance to do that with new releases these days), and can say that these old geezers still have it, more than putting many a young metal band to shame with their doomy, classy, crunch laden attack. Sure, The Devil You Know is not quite on par with Heaven and Hell or Mob Rules, two albums of basically perfect metal from an age long gone by, but it's easily as good as Dehumanizer, though that CD probably has a few tracks that are better than anything on this one, but overall this latest is very strong across the board.

Tunes like "Atom and Evil", "Bible Black", and "Breaking Into Heaven" are instant classics, and other songs such as "Fear", Eating the Cannibals", "The Turn of the Screw", and "Neverwhere" feature plenty of fat, doomy riffs, thick grooves, and Ronnie's trademark vocals. Geezer Butler's bass playing is all over this CD (thankfully!), and he gets in some meaty riffing on the solid "Double the Pain". Only track I'm not sold on here is "Rock and Roll Angel", a decent enough piece but pretty lightweight when compared to the rest of the thunder on the CD. Speaking of thunder, check out Iommi's crushing power chords on the monstrous "Follow the Tears" for proof of his never ending creativity when it comes up with putting together evil, memorable riffs.

In short, this is a splendid release, and though it might never be looked at as some of the classic Black Sabbath albums of the past are, it's still fantastic in its own right and easily one of 2009's best releases.




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