Hailed as champions of "psychojazz trip funk," Stratospheerius leap deep into progdom with Headspace — a smart and satsifying album in which a mandolin-powered instrumental called "Gutterpunk Blues" can straddle a frantic, spot-on cover of The Police's "Driven to Tears," and a Jewish heavy metal anthem ("Heavy Shtettle Part II: Heavier Shtettle") and a solid, fiddle-fueled rocker about a songwriter pissed off because he can't write a song ("New Material") book-end a collection of 10 equally fascinating pieces.
Fronted by electric violinist (and guitarist, singer and mandolin man) Joe Deninzon, Stratospheerius veers more heavily from its instrumental past into vocal-based music influenced as much by Bruce Springsteen and Joni Mitchell as Frank Zappa and Bela Fleck, Kansas and The Flower Kings. Hence, these songs tell stories that, coupled with some intense instrumentation that the quartet makes sound way too easy, emerge as substantial pieces of ear candy. And the three instrumentals here improve significantly upon the band's earlier work.
Despite the unusual shredding (mandolin rules, dude!) and virtuoso aspirations inherent in this music, Headspace resonates with an earthbound freshness that reflects a charming change of direction for a band that's already established itself as critical darling. The possibilities just became seemingly endless.
1) New Material
2) Old Ghosts
3) Sold Out
4) Today Is Tomorrow
5) Mental Floss
6) Gutterpunk Blues
7) Driven to Tears
9) Long Rd.
10) Heavy Shtettle Part II: Heavier Shtettle