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All For Metal: Legends

I am, without a doubt, the target market for All For Metal. Every last note of this project's debut album Legends is a cash grab amalgam of European warrior/festival culture and mid-paced stomping epic/power metal not at all unlike Manowar's output from the mid 90's onward. It is so very, very, VERY contrived and was clearly assembled by studio execs at AFM records to appeal to the lowest common denominator of fans of the things in life I hold most dear. As someone who loves this kind of stuff when it's done well and with some degree of authenticity, All For Metal immediately made me grit my teeth and roll my eyes. After a few listens, I can mostly confirm that my worries were all justified. While I may be the target market, most of Legends is so cynical and cringey that it insults my intelligence.

All For Metal, complete with a band name that would barely be acceptable on a free compilation cd in a Bulgarian hard rock magazine, is pure genericism distilled into a syrupy sweet but still bitter liquor. The band themselves appear to basically be two vocalists from separate acts, and a bunch of largely nameless and faceless musicians behind them. One singer has the clean and melodic voice, and while not terrible he certainly doesn't stand out much in a genre that has a sea of fantastic vocalists at the ready. The other singer is, from what I can tell from press photos, a 7 foot tall beefcake barbarian with the deepest voice this side of the late Peter Steele. The two singers trade vocal lines on most tracks, and the contrast is jarring and hilarious. Muscles Mcgee's performance is especially funny, with his accent lending some of his lines a bit of Arnold flair and panache. The songs are all 3-4 minute stompers with more than just a passing resemblance to the previously mentioned Manowar with little bits of modern melodic power metal like Sabaton or even Turisas in the form of super melodic and catchy choruses. Not much to speak of in terms of individual instrumental performances; the music here is merely a means of delivery for the overall schtick of the band.

All this said, I'm a complete and utter sucker for this kind of cheesy pandering. I love a well crafted chorus, I tend to be pretty forgiving and even indulge in bands that very clearly don't take themselves seriously, and I love to drink. Alcohol and stupid, caveman metal like this (like most things) is made significantly better after a few (or 6) beers, and I could absolutely see my inner turbodork throwing the horns to a few of the tracks on here with a few similarly minded (IE wasted) metalheads. That's a very low bar to cross, and I'm not about to down the required amount of whiskey it would take to score this display of avarice highly. It's a weeknight and my liver would never forgive me.


Tracklist:
1. All for Metal
2. Goddess of War
3. Born in Valhalla
4. Raise Your Hammer
5. Hear the Drum
6. Run
7. Prophecy of Hope
8. Mountain of Power
9. Fury of the Gods
10. The Day of Hammerfall
11. Legends Never Die

Added: December 8th 2023
Reviewer: Brandon Miles
Score:
Related Link: Band Website
Hits: 711
Language: english

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All For Metal: Legends
Posted by Steven Reid, SoT Staff Writer on 2023-12-08 19:41:44
My Score:

OK, let’s get one thing straight, if you’ve gone as far as clicking to read a review of an album named Legends by a band called All For Metal, then either you read everything posted here on SoT (thank you!) or chest thumping, loincloth wearing Manowar-O-Metal is your thing. Now, I’ll admit to having a hefty sword swipe of True Metal in my collection and even for me the ease with which this six-piece (4 guys, 2 gals) trot out both expected riff bulging drum hammering power metal and song titles such as “Born In Valhalla”, “Mountain Of Power” or “Fury Of The Gods” makes it difficult to get fully onboard. That is until the band’s eponymous track opens their debut with all manner of howling riffs and chanted vocals. Heard it before? Well, if you have some Sabaton, Powerwolf or Manowar (or many others) in your metal clan, then you sure have and yet, is it fun? Abso-loinclothchafing-lutely!!

There are two ways of looking at this album - the first of course being askance, with cynicism and a hefty dollop of I don’t think so. The second option, obviously, arrives in embracing the sheer stupidity of it all, punching the air as big metallic hammers strike equally glistening anvils in time with the snare drum. In the cold light of sword shimmering day, All For Metal know their strengths and play to them mercilessly.

The closest thing to what this outfit are doing is probably Brothers of Metal, so yes, this is big, bold, unapologetic and fully aware of what it is. Cleverly, this lot have two singers, with the likes of “Born In Valhalla” (which is infuriatingly catchy) benefitting from both slow, foreboding almost spoken vocals from (I think) Antonio and some utterly superb throat clearingly amazing clean vocals from Tetzel (it might be the other way round, but honestly, I’m too intimidated by the rippling muscles, metal body wear and silver face paint to ask too many questions).

I could go into more detail here and tell you about the folkiness and rumbling raucousness of “Raise Your Hammer” or huge slabs of synths and razor sharp riffs of, for me, album highlight “The Day Of Hammerfall”, but let’s face it, by now you’ve either daubed finger stripes down your face and are punching the air, or you’re sitting with your head in your hands muttering repeatedly, ‘death to false metal…….??? Please make it stop’.

Me? I’ll see you in Valhalla! Well, maybe every now and again…



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