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Ukab Maerd: The Waiting Room

Ukab Maerd is a project formed by two former members of the progressive rock band Djam Karet, Chuck Oken, jr. (analog, digital and modular keyboards, electronic percussion, effects, loops) and Gayle Ellett (analog and digital keyboards, electric guitar, effects). Joining the duo is French guitarist Richard Pinhas who adds guitar loops on three of the four tracks. For those of you expecting another Djam Karet album you may disappointed as The Waiting Room is more on the ambient side of the spectrum, brimming with electronic drenched soundscapes and weird effects.

Although only four songs, the album still clocks in at over sixty-four minutes. The songs are long and although the music is quite mellow I never found myself getting bored. In fact, this album does a great job creating moods and textures that completely envelop the listener with shimmering sound effects and atmospheric layers of sound.

It all starts with "The Cave" and at over twenty minutes in length, an ambitious effort to be sure and one that does not wear out its welcome despite its long length. Electronic bleeps and beeps begin the proceedings before synth layers and/or guitar loops build in intensity. The electronic washes of sound build up but never fully release and the ambient explorations continue throughout the song.

With "White Light, No Heat" the band creates a more ominous sound. Strange crashing effects and a dense wall of sound leads to some interesting electronic percussion. The lush soundscapes emit subtle changes with cool synth lines in the background.

Even more strange is "God's Elastic Acre" where otherworldly sound effects up the intensity level. This one conveys a much darker atmosphere with an undercurrent of foreboding that is slightly unsettling. You could almost think of this as a soundtrack of some sort of nightmarish dystopian society as the vibe is that freaky. And yes, that is meant as a compliment.

The last song is "Sati & the Trainman" with less ambience and more of an electronic rock feel. The synths and effects shimmer and vibrate with dramatic bursts of sound illuminating the soundscape and heightening the drama. An electronic riff settles in for the remainder of the song, very crisp and clean.

The Waiting Room is a fine effort and hopefully this band will continue their musical explorations in the future. If you enjoy artists like Synergy, Tangerine Dream, Jean Michel Jarre and Klaus Schulze you should find plenty to enjoy here.


Track Listing:
1. The Cave (23:35)
2. White Light, No Heat (11:28)
3. God's Elastic Acre (18:16)
4. Sati & the Trainman (11:14)

Added: April 3rd 2011
Reviewer: Jon Neudorf
Score:
Related Link: Band's Official Site
Hits: 2965
Language: english

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Ukab Maerd: The Waiting Room
Posted by Michael Popke, SoT Staff Writer on 2011-04-03 23:03:45
My Score:

Some ambient albums wash over you but still leave you feeling empty. That's not the case with The Waiting Room – an album of electronic music from Ukab Maerd, a side project featuring two members of Djam Karet (Chuck Oken Jr. and Gayle Ellet) along with renowned French experimental guitarist Richard Pinhas. More adventurous and accessible than Klaus Schulze but less cohesive than Djam Karet, Ukab Maerd use analog and modular synths, signal processors and effects, altered electric guitar and "mangled nightmares" to create a compelling distant cousin to, say, Yeti Rain.

Much of this music, four songs that span a sprawling 64 minutes, was captured at two live performances in Southern California, with Pinhas' processed guitar loops added later. The most intriguing track, "White Light, No Heat" segues from a cold and industrial landscape to a warm and effervescent arrangement that hints at Djam Karet influences. "The Cave" is the most traditional electronic piece, with "God's Elastic Acre" fulfilling the horror-soundtrack tendencies.

Despite what my SoT colleague Jon Neudorf and I have to say about this album, perhaps it's best left to the insightful liner notes that fill the inside flap of this simple but handsome digipak: "Ukab Maerd makes mind music that blends both modern styles and traditional European electronic and progressive music from the 1970s and 1980s. Ukab Maerd masksbackwards to Baku Dream and is a reference to … Djam Karet's 2003 album A Night for Baku. The Baku are spirits of the dream world who are devourers of evil dreams and nightmares. The music of Ukab Maerd represents what the Baku dream after spending elastic time in the twilight zone and draws its inspiration from dream language and the important work of The Surrealists in the Arts."

So, to reiterate, The Waiting Room will not leave you feeling empty. If anything, there's almost too much here to digest.




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