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Apocalypse: The Castle

If you’re one of those proggers always harking back to the glory days of the mid 70s, while remaining resolutely unmoved by the more current scene, then let me introduce you to Apocalypse and their up until now unreleased 1976 album, The Castle. Hence, if it’s an authentic sounding prog album that harks back to a Renaissance, Yes and maybe even Soft Machine sound that you hanker after, then this is pretty much it. Sourced from original masters that sat unused until now, the work that this four-piece created all these years back finally receives a release on both vinyl and digital format, with no CD version available. That may well feel a little presumptive for an unknown act, but there’s no doubting that the correct medium on which to experience the five tracks unearthed here is big, black and round.

Hailing from Chicago, Apocalypse were something of a near family affair, Tom Salvatori (bass) teaming up with older brother Michael (guitar and lead vocals), Michael’s wife Gail Salvatori (keys, violin and vocals) and Tom’s classmate Scott Magnesen (drums). Although utilising a slightly grittier sound, Michael undoubtedly had something of a Steve Howe attack about his guitar playing, while the manner in which he and his wife combined vocally really was a marriage made in heaven. The album’s title track possibly illustrates that side of their approach most strongly, and yet in terms of the overall feel, something more pastoral is often the order of the day. The closing “All The People” being meandering, but never aimless, as muted whistles combine beautifully with some clever keyboard, guitar and percussion work.

“The Spirit” on the other hand initially feels much more like Fragile era Yes, the guitars and bass working in unison around a gently driving beat, with the melody here as important as the mood and tone. However, once that introductory movement gives way to gently surging keys, you know that Apocalypse were never going to be satisfied with mining one direct influence source. All five tracks maintain this high standard and while hindsight possibly suggests that there’s not too much that’s original being presented, when you consider when The Castle was recorded, you have to listen to things in a different light.

It’s maybe taken 46 years to be heard, but with The Castle, it’s fair to suggest that the debut album from Apocalypse is a fine, progressive outing that’s as cutting edge and timely as any album recorded in 1976 - and I mean that as a compliment.


Track Listing
1. The Spirit 

2. Only the Children Know

3. Turning Around 

4. The Castle 

5. All the People

Added: March 22nd 2026
Reviewer: Steven Reid
Score:
Related Link: Apocalypse @ bandcamp
Hits: 1684
Language: english

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» SoT Staff Roundtable Reviews:

Apocalypse: The Castle
Posted by Aaron Steelman, SoT Staff Writer on 2026-03-29 20:05:45
My Score:

In 1976, Chicago-area high-school student Tom Salvatori founded the symphonic prog outfit Apocalypse along with his classmate, Scott Magnesen, his brother Michael, and Michael’s wife Gail. Tom played guitar and bass, Scott was the drummer, Michael also played guitar, and Gail was the keyboardist and violinist. Michael, Tom, and Gail all provided vocals. They put together a set of demos that finally have been released as The Castle through Guerssen’s Out-Sider Records.

It is quite beautiful in many spots, despite having a somewhat unfinished and amateurish feel in others. That, of course, is to be expected given the record’s origins. How to describe it? Well, it has a classic mid-70s prog sound, also to be expected, with tasteful guitars, team vocals, and a nice helping of Mellotron. To me, the band most resembles Renaissance, but you can hear the influence of other prog giants such as Camel and Genesis. There are also some Canterbury stylings. It features an attractive cover that is very much of its time, too.
Each of its five tracks are enjoyable. But the ones I enjoy the most are the opener, “The Spirit,” the title track, and the closer, “All the People,” which comes in at more than 10 minutes.

Although I received a promo copy on CD, it seems to be available for purchase only on vinyl and in digital form. I would recommend this lost oddity, a somewhat classic work. Also, it’s worth noting that the band is not to be confused with the Portuguese symphonic prog band of the same name, which released several albums from 1991 to 2011.

Apocalypse: The Castle
Posted by Michael Popke, SoT Staff Writer on 2026-03-23 00:52:41
My Score:

Nearly five decades on from the September 1976 recording of what turned out to be the only album from Chicago's Apocalypse, it's easy to look back and think what could have been. Unreleased until 2022 -- after vocalist, guitarist and recorder player(!) Michael Salvatori unearthed the reel-to-reel master tape in a basement storage bin -- The Castle would have fit right in with early to mid-Seventies work from the likes of Genesis, Camel, Renaissance and even bits of Yes and Emerson Lakes & Palmer. The production lacks, but keyboards galore, female vocals (courtesy of Michael's wife, Gail Salvatori), lengthy songs topping out at 10-and-a-half minutes and an overall pastoral/Canterbury vibe suggest that Apocalypse knew its audience and was willing to give listeners what they want. Why, then, The Castle remained buried for so long remains a mystery.


Fun fact: Michael Salvatori wrote radio and TV commercials in the Eighties and Nineties and then went on to score music for the Halo and Destiny video game franchises.




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