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Dimmu Borgir: Abrahadabra

Black metal purists are probably going to throw a fit and scream that Dimmu Borgir have completely abandoned the genre with their latest offering Abrahadabra. On the Norwegian acts ninth album, the band (Shagrath, Silenoz, and Galder) find themselves without longtime members Mustis and ICS Vortex, but with a huge guest list that includes 100 musicians and singers from the Norweigan Radio Orchestra and Schola Cantorum Choir, as well as bassist/vocalist Snowy Shaw (ex-Therion), drummer Daray (ex-Vader), and keyboard player Gerlioz. This line-up, along with famed Producer/Engineer Andy Sneap at the mixing desk, has created an epic, orchestral, grandiose work of art here that owes as much to bands like Kamelot, Nightwish, and Epica as it does to the black metal scene. Dimmu has been toiling in this artsy 'hollywood/symphonic black metal' thing for quite some time now, but Abrahadabra is clearly the culmination of where the band started heading with Death Cult Armageddon and In Sorte Diaboli.

Sneap has really given Abrahadabra a HUGE sound, so much so that these songs basically burst from the speakers with the bombast of a triumphant film score. Opening instrumental "Xibir" starts things off in orchestral fashion, before the raging "Born Treacherous" comes crashing into the mix. Right away, you begin to hear a slightly different Dimmu Borgir, less inclined to rely on speedy black metal passages and more into driving power, symphonics, melody, and mood. Shagrath's evil and quite varied vocal styles work well here over mounds of orchestral keyboards, and while Daray's drum work is quite brisk and intense, it's not over the top like Hellhammer's on In Sorte Diaboli. Guitar riffs from Galder and Silenoz are there, but somewhat buried and subdued underneath the wall of keyboards. "Gateways" is pure symphonic bliss, as Shagrath dons his carnival hat and becomes the master showman over some highly effective keyboard orchestrations (boomingly powerful here) and yes, backing female vocals. On "Chess With the Abyss", the band churn out some epic power/progressive metal sounds, and check out the impressive lead work from Galder on this one.

The band finally got around to recording a song called "Dimmu Borgir", and it's a great one, full of majesty, grandeur, and might, with Shagrath's mix of rasps, spoken word vocals, growls, and screams, over crushing riffs and ominous keyboards. The keyboard & synth layerings of Gerlioz cannot be overlooked on this album-he's litterally all over each and every tune in a big way, and teamed up with the Orchestra & Choir gives this entire album a highly bombastic feel. Shaw lends his clean, power-metal styled vocals to "Ritualist", and though he's a bit different than ICS Vortex, he fits in quite well. Fans of Dimmu's more raging, black metal past will love the furious "A Jewel Traced Through Coal", complete with fast paced riffs, relentless blast beats, haunting keys, and Shagrath's evil rasps, though most of "Renewal" is even faster and more brutal, as the band hint at various styles but keep the black metal foundation intact. Closing number "Endings And Continuations" is as epic sounding as this band gets, as Dimmu mixes symphonic black metal, power metal, and progressive metal into a highly addicting concoction that is pure bombast from start to finish. Shaw's clean vocals battle Shagrath raging screams, while crushingly heavy guitar riffs, steady drum blasts, and huge keyboard & orchestra swells keep pace.

Though some might feel that Abrahadabra is not as 'guitar heavy' as previous offerings, that's probably because the keyboards are much more out in front this time around, and mesh with the orchestral passages for a lethal mix, which perhaps drowns out the guitars somewhat. It's still heavy as hell, just more 'symphonic heavy' if that makes any sense. No idea whether Shaw, Gerlioz, or Daray will be sticking around for the tour or additional recordings, but they seem to fit in just fine here alongside Shagrath, Silenoz, and Galder.

The production as I mentioned earlier is stellar, and really jumps out at you. Abrahadabra comes housed in an artful digpack package which folds out four different ways (hazardous to open if you are driving in your car), complete with wonderful artwork, photos, and lyrics in the rather thick booklet. It's available currently for a VERY affordable price, and worth every penny.

Dimmu Borgir are back at their bombastic best, and ready to take over the world!


Track Listing
01. Xibir (2:50)
02. Born Treacherous (5:02)
03. Gateways (5:10)
04. Chess With The Abyss (4:08)
05. Dimmu Borgir (5:35)
06. Ritualist (5:13)
07. The Demiurge Molecule (5:29)
08. A Jewel Traced Through Coal (5:16)
09. Renewal (4:11)
10. Endings And Continuations (5:58)

Added: October 27th 2010
Reviewer: Pete Pardo
Score:
Related Link: Band MySpace Page
Hits: 1699
Language: english

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» SoT Staff Roundtable Reviews:

Dimmu Borgir: Abrahadabra
Posted by Scott Jessup, SoT Staff Writer on 2010-10-27 08:07:27
My Score:

I acquired a copy of Abrahadabra after reading Pete's positive review above, and must say now I have heard this new release from the Norwegian Black Metal band Dimmu Borgir I totally agree with his sentiments, I'm hooked.

Abrahadabra blends orchestral music and black metal in a way that's vastly enjoyable, but some black metal fans will be up in arms with Abrahadabra for not being intense enough or what they may class to be "real black metal", and object to the amount of orchestral additions on this new recording. While countless others who don't have a problem with a band stepping outside the norm will find this album hits the spot, and as Abrahadabra is such an accessible CD then that should allow Dimmu Borgir to gain some new fans.

I'm a real sucker for some alluring orchestral meets metal music, when mixed appropriately the two complement each other so well, so I have no problem with the musical path Dimmu Borgir have chosen. Things have changed in the Dimmu Borgir ranks as on Abrahadabra the band is now without bass player/vocalist ICS Vortex and keyboard player Mustis, the current line-up on this recording is certainly up to the task, the production is also really good this album sounds great. Abrahadabra really has an addictive quality I have been spinning this consistently and yes it's different, Dimmu Borgir are simply doing their own thing and creating symphonic black metal that's so entrancing.

This is an album full of top songs and there's still blackened blast fests if that's what you desire. So to use those well known words from Star Trek in this context "It's black metal Jim, but not as we know it" and that's what Abrahadabra is and I like it.


» Reader Comments:

Dimmu Borgir: Abrahadabra
Posted by ??? on 2010-10-29 23:57:19
My Score:

This release is much better than In Sorte Diaboli. The songs are more interesting and the production is nice and clear without all that static energy surrounding the instrumentation. The Pardo review has a few things wrong. 1. the production is not HUGE. The orchestration is actually quieter than say, Death Cult. It is certainly as developed or even more so, but this recording is more about breathing than bombast and Sneap has it just right. Secondly, Daray vs Hellhammer-- Hellhammer for all of his accolades is nothing but a pro-tooled heavy metal hack. If you have in your possession the Hot Topic version there is a bonus cover song on there called "Dead Men Don't Rape" and it has the most complex drumming on any Dimmu Borgir release, bar none. Hellhammer could not play that even if he had feasted on Buddy Rich's brains and used his skull fragments to fashion a good luck necklace. I could go on and demonstrate how they tried to pro-tool Hellhammer to sound like Nick Barker and the astounding clarity of Daray's feet and hands, but it would probably be lost in man-love retorts for a man named Jan. Gee, I wonder what he is wearing right now? I hope he is still working out! Mmmmm, he looks so Kvlt in all black with the goatee. Moving on. My biggest personal gripe is that there is maybe one guitar solo on the whole album. Galder can write, but as a lead player is a complete hack. The next time the band is renting some musicians maybe that is something they could fix. Don't worry about his ego, he already knows he blows. All in all this may be one of my favorite releases by this band who's creditability is beginning to shed.

They should have offered Snowy a better rental deal. His vocals were very creatively developed and would have made a nice addition.




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