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Roswell Six: Terra Incognita-A Line in the Sand

In 2009 we had the amazing first part of the Terra Incognita saga, titled Beyond the Horizon, and now, a year later, the second installment from bestselling author Kevin J. Anderson, his wife Rebecca Moesta, Shawn Gordon & the folks at ProgRock Records, and a star studded line-up, better known as Roswell Six, are back with Terra Incognita: A Line in the Sand. Here, the story focuses on the generations long war between the continents, and musically things take on a heavier and more aggressive tone compared to the more progressive & symphonic sounds we heard on the first part.

Gone are James LaBrie, Erik Norlander, Lana Lane, John Payne, Gary Wehrkamp, Kurt Barabas, David Ragsdale, Martin Orford, Chris Brown, Chris Quirarte, and Mike Alvarez, replaced here by Frameshift's Henning Pauly (who plays all the instruments and produces), Steve Walsh from Kansas, Sass Jordan, Nick Storr from The Third Ending, Charlie Dominici, Arjen A. Lucassen, and Alex Froese from Frameshift. Returning for a second go around is the incomparable Michael Sadler, former lead singer and founder of Saga. Despite the major upheaval in the line-up and the reliance on some heavier sounds, this still sounds like a Roswell Six album, so chances are if you loved the first album, you'll dig this as well.

From a vocal perspective, there are some killer performances here. Walsh amazes on the crankin' "My Father's Son" and the crushing, symphonic opener "Barricade", both tunes also featuring some great riffs and keyboard work from Pauly. Storr and Sadler team up on the hard rock piece "Whirlwind", and mainstream rock singer Sass Jordan really turns some heads on the bluesy hard rock of "The Crown". She's not only beautiful, but she can also tear it up! Sadler gives one of the CDs most emotional and poignant performances on the lovely "Loyalty", a piano driven ballad that lets the singer remind us all how much of a talent he still is. One of the heaviest pieces on the album is the monster "When God Smiled On Us", a brusing metal track complete with massive riffage and a great vocal team up from Storr & Froese. Jordan returns again to give a heart wrenching turn on "Need", and Sadler gets all grandiose on us for the symphonic epic "Victory", a tune that will instantly appeal to all those Saga fans out there. Throw in a killer instrumental from Pauly called "Battleground", and you have a highly enjoyable concept album filled with plenty of metal, hard rock, and prog bombast.

OK, so it's safe to say that Roswell Six delivered another winner here, but the question is, how long do we have to wait for the next part? Time will tell I guess. In the meantime, time to spin this one again...


Track Listing
1. Barricade
2. Whirlwind
3. The Crown
4. Loyalty
5. My Father's Son
6. When God Smiled on Us
7. Need
8. Spiral
9. Battleground
10. Victory

Added: September 16th 2010
Reviewer: Pete Pardo
Score:
Related Link: ProgRock Records
Hits: 4102
Language: english

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Roswell Six: Terra Incognita-A Line in the Sand
Posted by Jordan Blum, SoT Staff Writer on 2010-09-16 13:33:01
My Score:

Conceptual albums have always tried to craft stories as if they were novels, but rarely have the two every actually been combined into one crossover project. A Line in the Sand, the second entry in Roswell Six's Terra Incognita chronicle, is just that. As ambitious as the idea is (and the music), unfortunately, the record is really just more run-of-the-mill symphonic prog metal. The musicianship is fantastic of course, but there really isn't any uniqueness or soul to escort it.

Acclaimed author Kevin J. Anderson and ProgRock Records began the project last year with the first novel, The Edge of the World, and companion album, Beyond the Horizon. Anderson has stated that A Line in the Sand (which accompanies his second novel, The Map of All Things) "features a different, grittier part of the story, focusing on the devastating generations-long war between continents, and it has an entirely different sound." As you might expect, Roswell Six, following in the footsteps of Allan Parsons and Arjen Lucassen, is made up of respected musicians and vocalists. On this album, Steve Walsh (Kansas), Michael Sadler (Saga) and Lucassen himself appear. A Line in the Sand is really just a generic prog metal release, of which there are certainly better, and Roswell Six doesn't come close to the genius that Lucassen brings to his Ayreon albums.

The LP opens with some bland heavy tracks, featuring orchestral strings, heavy guitars, and vocals that oscillate between sandpaper textures and falsetto urgency. Again, if you've heard one of these power metal albums before, you've essentially heard this too. There are a lot of horns and complex time signatures, and again, the quality of playing here is top notch, but the songwriting and vocals are factory produced to fit the pattern. "The Crown" has especially annoying singing. "Loyalty" is like a Queensryche piano ballad if they used more classical instruments. "My Father's Son" has some interesting Middle Eastern production, almost like Orphaned Land ventured into the genre, but still, it's nothing new.

A Line in the Sand does have some worthwhile moments though. "When God Smiled On Us," is probably the best here because its melody actually invokes some emotion and it alters its intensity nicely. The riffs are like a progressive version of Disturbed and there is some interesting vocal layering in the middle. "Battleground" is an awesome instrumental full of intricacy, ferocity, and interesting timbres. It effectively conveys an epic battle for survival. The album closes with its most varied track, "Victory," which either brings closure or a cliffhanger to the storyline. The familiar voice that opened the album with "a line in the sand" recites it again during the last seconds, bringing a nice sense of continuity and suggesting that this chapter in the Terra Incognita saga has successfully been told.

The problem with A Line in the Sand is just how ordinary it is. We've heard this music before and these voices are all too familiar. It's like a second rate version of more respected works, and even other contemporary emulations, like Neverland's recent Ophidia, offer more worthwhile music. If you're a fan of this stuff, obviously you'll like what Roswell Six has to offer, but even diehard aficionados might find it a bit stale.


Roswell Six: Terra Incognita-A Line in the Sand
Posted by Jon Neudorf, SoT Staff Writer on 2010-09-12 22:57:30
My Score:

Author Kevin J. Anderson's epic vision continues with Terra Incognita A Line in the Sand the follow up to Terra Incognita Beyond the Horizon. While the first album was directed by keyboard wizard Eric Norlander, this time the reigns are taken by multi-instrumentalist Henning Pauly (Frameshift, Chain) and like Norlander he does a great job.

First a little about the story thus far. On a fictional planet there are two continents Tierra and Uraba connected by a thin piece of land. In the city of Ishalem there exists two religions. Factions from both lands travel to Ishalem to sign a peace treaty but a fire is started by accident and both sides blame the other as peace is put on hold and a line in the sand is drawn. On the new CD war between the two lands is the focus. When one considers the story it is no surprise the music on A Line In The Sand is heavier than the debut with a greater emphasis on guitar. However, there are still plenty of orchestral moments to keep the keyboard lovers happy.

Like the first album, A Line In The Sand has some excellent musicians. The only returnee is Michael Sadler on vocals but he shares the stage with some awesome talent like Steve Walsh (Kansas), Sass Jordan, Nick Storr (The Third Ending), Charlie Dominici (ex-Dream Theater)and Arjen Lucassen (Ayreon). Henning Pauly handles all the instruments.

While this ventures more into heavy rock and progressive metal the album is no less intriguing than the first and highly listenable. Pauly's fret work is spot on throughout providing heavy riffs, fantastic lead work and just about anything else you could ask of a guitarist. His contribution is nothing short of excellent and while this is complicated music with tricky time signatures and complex arrangements, the story never gets lost in excessive bombast as the cheese factor is kept to a minimum. As far as keyboards are concerned they are not laid out quite as thick as the last CD but are still used to good effect and there are some fine orchestral arrangements throughout.

Perhaps the strongest aspect of A Line In The Sand are the vocals. They are superb and I cannot argue with any of Anderson's choices as they all give passionate performances.

The dramatic beginning to "Barricade" with Walsh's gritty vocals over a symphonic backdrop before a wonderful Eastern chord progression ensues is pure magic. Storr and Sadler provide vocals for the fiery progressive metal of "Whirlwind" where sinuous lead guitar and a hook laden chorus will have you coming back for more.

Choosing personal favourites was tough as this is such a strong CD but Walsh's vocal performance in "Spiral" is truly inspiring and the Queen-like vocal arrangement in "When God Smiled On Us" is a definite highlight as Storr and Alex Froese do a great job.

This is an excellent sophomore effort and I cannot wait to hear the third instalment of the trilogy. One of the best CDs I have heard thus far in 2010. Trust me, it is that good.


Roswell Six: Terra Incognita-A Line in the Sand
Posted by Steven Reid, SoT Staff Writer on 2010-09-04 12:56:34
My Score:

The combining of a novel and a progressive metal concept album seems so natural, that you wonder why nobody had really given it a try until the debut album from Roswell Six, Terra Incognita Beyond The Horizon. With a story and lyrics created by heavy weight author Kevin J Anderson and having a stellar cast list on the disc (John Payne, James LaBrie, Martin Orford, David Ragsdale, Lana Lane and so on) ensured that the expansive and evocative songs written by Erik Norlander came alive in a way that most "project" albums never quite achieve.

Part Two of the Terra Incognita story sees Anderson once more teaming up with Rebecca Moesta to write the story and lyrics, however in what at first glance would appear to be a risky move, the entire ensemble that came together for album number one is nowhere to be seen on this follow up. This time Henning Pauly (Frameshift/Shadows Mignon) writes and performs all the music and with Anderson stating that the story of A Line In The Sand is "A darker tale" than its predecessor, Pauly's foreboding, heavier style fits the bill very well indeed. What Henning has managed to do though, is to give the songs the same feel as before, with complicated time signatures and dramatic arrangements still leaving enough room for the all important voices to tell the story.

Those voices that narrate the tale this time are Sass Jordan, Steve Walsh (Kansas), Nick Storr (The Third Ending), Charlie Dominci (Dream Theater/solo), Alex Froese (Frameshift) and ex-Saga frontman Michael Sadler. All six put in effortlessly brilliant performances that allow them to bring a dramatic edge to their delivery, that has only really been hinted at before and Sadler especially exercises an aspect and timbre in his voice that is ever so slightly different to the work he did with Saga. That said the songs where the vocalists sing against each other "Whirlwind" (Walsh/Storr), "My Father's Son" (Walsh/Dominici) and "When God Smiled On Us" (Storr/Froese) are the most effective and when you add the backing vocals talents of Pauly, Juan Roos (Shadow's Mignon) and the master of the multi-vocalist album Arjen Lucassen (Ayreon/Star One/Guilt Machine) to the mix, the results are often stunning.

Grand in scale and intentionally overblown in its execution, the second instalment in the Roswell Six saga, flows on seamlessly from the first part while managing to sound refreshingly different what has come before, although if I was to pick a fault, it would be that there is not enough "light", to counter act the intensity of the music this time.

It will be very interesting to see where this project goes from here, as after two immensely satisfying, yet different albums, it may be a tough challenge to bring a third entirely fresh cast together and expect the results to be as equally impressive. However on the strength of the first two parts, I can't wait to find out.



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