Sea Of Tranquility



The Web Source for Progressive Rock, Progressive Metal & Jazz-Fusion
  Search   in       
Main Menu

Who's Online
There are currently 81 guests online.

Google Ads





Linear Sphere: Reality Dysfunction

The first time I heard Linear Sphere, I thought of two bands in particular: Watchtower for their heaviness and Spiral Architect for their ultra-technical metal with strong jazz overtones. However, repeated listens suggested that Linear Sphere's Reality Dysfunctional transcends comparisons. Therefore, any band I mention in this review is merely to provide a musical reference point; Linear Sphere is quite a one of a kind band.

Hailing from London, England, the band consists of Jos Geron on vocals, Martin Goulding and Charlie Griffiths on guitars, Nick Lowczowski on drums and Dave Marks on drums. All of the musicians are technically amazing, especially guitarists Goulding and Griffith. They marry a diverse range of musical styles consisting of ever shifting rhythms and odd-metered time signatures. Their playing is a hybrid of the jazzy sides of players like Greg Howe and Allan Holdsworth and the more metallic sides of Paul Masvidal and Fredrik Thordendal. The best part of the guitars is the dichotomy they provide during the harmonies; when Griffiths plays a distorted heavy section, Goulding immediately backs him up with a very clean jazzy passage. The same contrast is present in vocalist Jos Geron's singing. Gerons utilises a harsh, raspy delivery, which is often enhanced by distorted vocals or added sound effects, not because he is uncapable of singing, but moreso to give the music and vocal harmonies an extra depth. That said, Geron's singing style may be the make-it-or-break-it factor for some listeners. Personally I think he is an amazing singer and a very key element in the originality of Linear Sphere. He reminds me of a European version of Jon Oliva singing in a grittier tone, kind of like Garden Wall's Alessandro Seravalle. Throughout the 65-minute album, there are lots of spoken passages, mostly in the beginning and breakdown sections of the songs. These voice-overs may sound a tad distracting at first, but they represent the lyrical aspect of the album, which seems to deal with capitalism and industrialisation. In this respect, Jos Gerons often portrays a wide range of "moods" in his voice, going from clean regular singing to lower, raspier screams (hence the Garden Wall comparison).

The music is highly intricate and multi-layered. Cynic's Focus and Spiral Architect's A Sceptic's Universe are obvious reference points given the technical death metal riffing blended with textural guitar harmonies and ambient textures. "Reversal" contains brutal death metal guitars embraced by meticulous jazz solos and distorted vocals; whilst "Ceremony Master" is a superbly executed post-shred fest we'd normally expect from Thordendal or a Cynic album that was never released. The rhythm duo of the band is phenomenal as well. A good dose of Sean Reinert and Dennis Chambers with plodding bass add more colour to the band's already solid songcraft, and elevate it to a higher level. Note the relatively slower guitar solos on "Marketing" and "Life of Gear"; both drip with sheer emotion, gripping melodies and charging power. "Marketing", being acoustic driven, lets vocalist Geron shine like never before and do killer vocal harmonies. "Life of Gear", on the other hand, is one of the most sinister songs on the album, especially with its eerily beautiful outro and textural guitar work.

However, the indisputable highlight of the CD is the 25+ minute monumental epic, "From Space to Time". This is the ultimate embodiment of the band's rich musical background as it covers death metal, prog rock, technical metal and jazz, and melts them all into a single form seamlessly. The first couple of minutes of the song are full with incredibly rhythmic melodies and guitar runs; then we're off to a nice, slow middle section with prominent keyboards courtesy of Adam Robinson, and then back to the mercilessly heavy mood with the addition of evil vocals offering socio-political commentary. As the music itself, the artwork and booklet of the album are also dark, cryptic, yet, for an independent band, very professionally put together. The guys in Linear Sphere wrote, recorded and released Reality Dysfunction as independent artists, and the sincerity in their music is not too difficult to notice. This album could be the best debut of 2005 and a future underground classic for lovers of technical prog metal.


Track Listing
1. Reversal
2. Father Pyramid
3. Ceremony Master
4. Division Man
5. Marketing
6. Life of Gear
7. From Space to Time
Part 1: Evolution
Part 2: Bodes
Part 3: Separation
Part 4: Eden

Added: May 12th 2006
Reviewer: Murat Batmaz
Score:
Related Link: Band Website
Hits: 3987
Language: english

[ Printer Friendly Page Printer Friendly Page ]
[ Send to a Friend Send to a Friend ]

  

[ Back to the Reviews Index | Post Comment ]


» SoT Staff Roundtable Reviews:

Linear Sphere: Reality Dysfunction
Posted by Pete Pardo, SoT Staff Writer on 2006-05-12 15:14:29
My Score:

Linear Sphere's debut Reality Dysfunction is one hell of a technical metal buffet, filled with plenty of crunchy riffs, complex interplay, and gymnastic rhythms. So much so that instant comparisons to bands such as Watchtower, Atheist, Spiral Architect, Spastic Ink, Death, and even jazz-fusion groups, especially any that Allan Holdsworth has been involved with, come to mind. While the dazzling guitar chops on songs like "Father Pyramid" and the epic "From Space to Time" are jaw-dropping, and the insane stop-start rhythms and groovy breakdowns of "Ceremony Master" are just mesmerizing, I'm left with one problem. The vocals of Jos Geron are just plain horrible in my opinion. His whining style at times sounds like an Elf who is being strangled, reminding me somewhat of former Exodus belter Steve Souza and how he would sound if he were being castrated. This one gripe prevents me from giving this otherwise spectacular release the rating it obviously deserves. I'm hoping the band does one of two things-either get a new singer who fits the music better, or that Geron will hone his style into something more palatable. Linear Sphere have all the chops and sense of melody to be one of the most creative technical metal bands ever, but unless they tackle the vocal issue, I think they won't appeal to the larger universe that they are capable of crossing over to, like the prog and jazz-fusion crowd. Let's see what happens.


» Reader Comments:

Linear Sphere: Reality Dysfunction
Posted by Karl Jones on 2006-10-08 11:46:24
My Score:

For anyone who likes Opeth and Arcturus, this music falls somewhere inbetween. A similar manic vocal style to the latest Arcturus CD, and the somewhat complex and heavy Prog style riffs of Opeth at times. The vocals unfortunately fall into the love 'em or hate 'em category. I feel that this band could really reach the prog metal top league if they could just find a voice to match the music, in a similar way that Dream Theater did with James Labrie for instance.




2004 Sea Of Tranquility
For information regarding where to send CD promos and advertising, please see our FAQ page.
If you have questions or comments, please Contact Us.
Please see our Policies Page for Site Usage, Privacy, and Copyright Policies.

All logos and trademarks in this site are property of their respective owner. The comments are property of their posters, all other content Sea of Tranquility

SoT is Hosted by SpeedSoft.com