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Dec Burke: Paradigms & Storylines

Coming to prominence as a member of the excellent Darwin's Radio and Frost*, singer, guitarist and keyboard player Dec Burke proved with his excellent solo debut release Destroy All Monsters (although I did have to request a re-mixed version to fully appreciate its potential) that he was extremely capable of standing on his own two feet. Now a year further down the line Dec is back with another slice of Prog Rock which encompasses Ambient, Metal and an almost commercial Pop feel. Ultimately however Burke is a song-writer and one capable of combining intricate and worthwhile lyrical ideas to equally detailed and expressive music. Have a look round the web for reviews of Burke's solo debut effort and the theme is the same, great songs shame about the mix (an opinion I shared before I heard the re-mix) and while some may find album number two a little bass heavy in places, on the whole Paradigms & Storylines (I do love that title) is a crisp, sharp album that allows all of its constituent parts to collide with a beautiful sense of purpose. This means that the songs expand and contract as though they are living things, giving the music a real sense of emotion and purpose.

In terms of style Burke has again blended some hard hitting, uncompromising guitar bursts to a far more restrained and considered style, with some songs being almost worthy of "chart hit" consideration, while others are pure Prog bliss. With only seven songs on board, Paradigms & Storylines never feels rushed, with the shortest songs coming in at just under six minutes and the longest being just over seventeen (although that does include a short "hidden" section) and it is through this unrestrictive stance that Burke and his talented group of musicians - the rest of the band is made up of Stefan Fanden (bass),Carl Westholm (keyboards), Mike Wikman (drums) and Cia Backman (backing vocals) - truly express themselves. "Days Like These" kicks things off in uplifting, if full on style, with soaring guitar rips and galloping riffs combining with a wall of layered vocals and underpinning keyboards to come up with something that sounds like Porcupine Tree going commercial - a neat trick indeed. Electro-beats and spiralling fret flurries herald in the "March Of The Androids", which gives Burke the opportunity to really stretch out his vocal chords and while the bass is maybe a little too "out there" in the mix, this is sort of thing that fans of Muse should jiggle with excitement to.

Having already, only two tracks in, shown the joined up eclecticism of P&S, "A Price For Love" brings a more introverted side to this album, although in a way that is still easily accessible and involving. The slow, building sections of bass (Fanden is a real star on this disc) allow the guitars to fire out little runs and motifs, which while not flashy, do hook you in to the mood and vibe of the song. The vocal arrangements and how they combine with their musical backing gives the songs a real scope and presence, especially as Burke builds his way to the stunning guitar soloing crescendo. String led and tribal drum infused, "The River" heads back towards the more easy on the ear end of Porcupine Tree and as it gently, but atmospherically meanders through piano runs, eerie violin strikes and heartfelt vocals, the end results actually come across like PTree, meets Muse at a Queen convention where The Feeling are playing pop songs! It shouldn't work, but in truth this could with the correct exposure introduce Burke to a far more mainstream audience.

"Yesterday's Fool" continues further down this slightly less Prog route with acoustic guitars creating the basis for another passion soaked vocal, although the impressively stinging guitar workout and humungous vocal layers ensure that the almost sing along sections stay just on the right side of Prog Rock. An Ambient air is added to the unnerving melody of "December Sun", making for a gloriously off-kilter experience with the easy on the ear vibe being punctuated by uncompromising drums, before the album's title track leads us toward the conclusion of Paradigms & Storylines in epic fashion. The drawn out opening builds the tension, before a Marillion-esque keyboard burst offers up welcome relief, although again it is the marriage of layered vocal and punchy bass to the crunching guitars and probing keys that lifts this song, making it a highlight of an excellent album. After a short pause at the track's conclusion, it is fitting that a disc with such eclecticism and uncompromising intricacy ends with an acoustic guitar and vocal offering up something far more simple, if equally beautiful and involving as what has come before.

Dec Burks has created an album that crosses the boundaries between Prog Rock, Metal, Ambient and Pop with assured confidence and purpose, although the subtle nature in which it is achieved is a delight. As many Progressive acts seek to add melody and to some extent commerciality to their more uncompromising instincts, Paradigms & Storylines proves it can be done in a stunningly effective fashion and without losing the essence of a genre not famed for its accommodating nature.


Track Listing
01. Days Like These
02. March of the Androids
03. A Price for Life
04. The River
05. Yesterdays Fool
06. December Sun
07. Paradigms & Storylines

Added: January 22nd 2012
Reviewer: Steven Reid
Score:
Related Link: Dec Burke Official Website
Hits: 2131
Language: english

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» SoT Staff Roundtable Reviews:

Dec Burke: Paradigms & Storylines
Posted by Mark Johnson, SoT Staff Writer on 2012-01-22 14:29:20
My Score:

"Dec Burke is a UK guitarist/vocalist who has written, recorded and performed with Frost* and is a founding member of the band Darwin's Radio. He has also toured with Frost*, supporting Spock's Beard and Dream Theater. Musicians featured on Paradigms & Storylines include: Carl Westholm, keyboards and keyboard arrangements; Mike Wikman, drums and drumloops; Cia Backman, providing backing vocals; and Burke on electric and acoustic guitars, and vocals. The album is produced and mixed by Stefan Fanden, who also provides fretted and fretless bass, fretless e-bow guitar and additional guitars. Fanden is well known for his work with Swedish prog band Carptree" (http://www.decburke.com/, 2012).

This may not be a concept album, but the thoughts and images revealed in the artwork and lyrics point to this ever present fear of the future, from many different directions. The triangle monolith in the sky reminds me of the obelisks and monoliths from Led Zeppelin's Presence album cover and borrowed from the theme of the movie 2001, A Space Odyssey. The sound for this band is similar, but different, than many of the new UK bands that have evolved from the Neo Prog era of the 1980s and 90s. I hear Frost*, Kino, and others, mixed with a 1990s heavier sound like Europe and other arena rock bands of the era. Power rock delivered with good vocals and lyrics, which touch on similar themes.


This is another good album from the ocean of cross band and individual performances rolling in from the Post Neo Prog waves of music from the UK. Another new band enters the realm to provide songs to an audience in search of new musical heroes.

Days Like These opens full of power and mighty guitar chords, lightning keys, and smashing drums. The rhythm drives hard as Burke's first vocals leap through the rush of instrumentation supporting them, "Rules to break, rules to tempt me. What's holding back the hope of inner peace?" The keys are excellent and the guitars drive hard.

March of the Androids has an electronic and an even more powerful metal guitar buzz to it. "Warning! We are in danger fear is on the rise". The fear of the digital world consuming the human and real. The keyboard work is excellent.

A Price for Life is a themed message delivered with keys and electric guitar, asking the question, where are we going as a society and individually? What are our motivations in life? As they say, "Our journey's high and dry". This track brings back memories of some of Glass Tiger's sound from the 1990s. "Do you feel or dare to be so cruel? A clearer intention".

The River has the most similar sound to Kino's music. It is one of the best vocal performances on the album. The music and melody are catchy and will remain with you beyond the album's initial plays.

Yesterday's Fool is the best vocal performance of Burke on the album. The harmonies are very similar to a Kino song. The acoustic guitar work however, provides a different sound for Burke.

December Sun is full of great keyboards and surrounding atmospherics as Burke draws the audience in with his vocals, "Holding out for maybe, holding out a line. Lesson learned and no mistake". Great heavy guitars and drums follow in support.

Paradigms & Storylines is the epic, over 17 minute, and best track on the album. After a little over two minute opening of cool keyboards and spacey sounds, the blasting drums and guitars roar through to provide a powerful edge.

This epic is delivered in three parts, Part I: Warnings, is full of loud electric guitars, keys, bass, and drums. The lyrics are short and to the point and repeated for clarity. "Connections so far out of mind".

Part II: Empty Words opens with keys, slow bass and guitar as Burke sings, "Open spaces the river traces. They'll be days like this. Where stormy skies, stormy faces. Mask their inward pleas".

Part II: Redemption provides more great keys, hard electric guitar, power drums and bass.



» Reader Comments:

Dec Burke: Paradigms & Storylines
Posted by Paul Whitehead on 2012-01-21 06:23:58
My Score:

As well as the CD release, the album is available as a limited edition, deluxe vinyl 2 LP set on Ritual Echo Records (rerLP002). The LP is pressed on 180g vinyl and is housed in a stunning gatefold sleeve and slip-case that really shows off the beautiful artwork of designer Paul Tippett (Vitamin P).

As the owner of Ritual Echo, I obviously have a vested interest in shifting copies of the LP. However, if you don't want to shell out for the vinyl, treat yourself to the CD. You will not be disappointed. This is a special album, from a very special talent.

Jerry Ewing, editor of Classic Rock Presents Prog (Issue 21, Nov 2011) said of the album: "It's as good a prog work as you'll hear all year".

CD and LP editions can be ordered from Dec's web site or Ritual Echo Records.




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